Protected: Part 5- Research, experimentation and developments to final drawings

This content is password protected. To view it please enter your password below:

Advertisements

Studies of the hand- sketchbook

As this is an area I have been struggling with I have been having a practice at hands and feet while also looking at the work of Leonardo du Vinci.

The muscles of the shoulder and arm, and the bones of the foot,c.1510 Leonardo da Vinci: Anatomist Credit line: The Royal Collection (c) 2012, Her Majesty Queen Elizabeth II This photograph is issued to end-user media only. It may be used ONCE ONLY in connection with the exhibition of Leonardo da Vinci: Anatomist, The Queen's Gallery, Buckingham Palace, 4 May - 7 October 2012. Photographs must not be archived or sold on.
The muscles of the shoulder and arm, and the bones of the foot,c.1510

Leonardo da Vinci: Anatomist

image

He looked closely at the anatomy of the body to better understand it’s structure. The skin acting like a cloth over the body hiding the underlying structures of muscle and skeleton.

Here I have also tried to think about using circles and cylinders to build up my drawings but I am not sure if this helps. In the sketch of my feet in the bath I have been experimenting with the use of a coloured ground to emphasise the white highlights. I think this works well.

image

Albrecht Durer(1471-1528), studied in order to portray the human form accurately through proportional measurement.image

The pen and ink drawing , Praying Hands (1508), are beautifully drawn and show a close observation.

image

Ref : http://en.m.wikipedia.org/wiki/Albrecht.Durer

 

 

Part 4: Project 5 – Exercise 2 Groups of figures

I found this exercise very challenging as I could not seem to capture any details in the seconds it took for people to walk by. In the end I gave up and worked from a photograph that I took of the town seen. In looking at others artists approach to the moving figure, I really liked this drawing of the business men rushing to work , seemingly oblivious to their surroundings which the artist has only hinted at.

image

I decided to experiment by reversing this idea with the buildings and stationary structures given the colour and solidity compared to the vaguer outlines of the passers by. However it is difficult to see the people’s outline amongst all the colour. I know the exercise wanted us to recapture the colour of the day but I don’t think that has worked here. The support is wrong for a grey cold day and the chalk doesn’t work with the coloured pen. I think that I have captured something of the moving crowd of shoppers.

 

image

I found some useful advice from a site called ‘Urban Sketchers’, that suggested if you wait awhile someone else will come along in a similar position, so you might end up drawing the legs of one person and the top half of another!

 

 

Ref : https://urban sketchers.org/2015/04/how-to-sketch-people-when-they-insist.html

Part 4: Project 5, Exercise 1 , Single Moving Figure

imageMan drawing in café

imageBuilders on roof

imageStanding at the bar waiting to be served imageEating toast

imageimageimageplaying tennis

 

I am finding  these exercises challenging and wonder if I need to find a different medium to capture quick fluid lines rather than try and draw details before the person moves.

Here I have experimented with a single figure moving through a series of positions using a watercolour pen.